Enjoy the best of New Zealand this summer with Daniel Le Brun

HOME New Zealand is pleased to offer our readers the chance to celebrate summer with Daniel Le Brun Brut NV.

A premium Methode Traditionelle made right here in Marlborough, Daniel Le Brun is the culmination of 12 generations of French champagne-making heritage. With aromatics that consist of fresh strawberry, citrus and orange peel, Daniel Le Brun is perfect for raising a glass to the festive season. It's available from supermarkets and fine wine retailers for around $30.99 per bottle, but to help you toast the festive season, we have three Daniel Le Brun bottles worth $30.99 to give away.

To enter, email homenewzealand@acpmagazines.co.nz - simply tell us why summer in New Zealand is a special time for you and be in to win!

Please note you must be 18 years or older to enter. No purchase is necessary. The promotion commences on December 23 2010 and closes on January 21 2011. Winners will be notified by January 27 by email. Prizes are not transferable or redeemable for cash.

We like: The Glass Room

A work of fiction, with modernist architecture at its heart: we're a little late to the party with The Glass Room by Simon Mawer (it was shortlisted for the Man Booker prize in 2009), but it is certainly worth adding to the Christmas gift list of any architecture-obsessed friend who hasn't already devoured it. Not that it's a book for architecture enthusiasts alone, as its roller-coaster plot will engage even the flightiest readers.

The book is a ripping fictional yarn set in a real house: Mies van der Rohe's Vila Tugendhat, designed and built from 1928-1930 in the Czech Republic and now recognised as a World Heritage Site.

The book captures the optimism of the times, embodied by Mies' shimmering modernist architectural creation, and follows the home's Jewish owners as they are forced to flee the chaos and bloodshed of the Nazi invasion. We highly recommend it. You can find out more about the Vila Tugendhat at the link here.

We like... Magno Radios

If you're still on the hunt for a fabulous Christmas gift, go no further than a Magno FM radio. Not only does this stylish radio play AM/FM, but the larger sized radio also has a USB port to plug in your ipod.

Designer Singgih Kartono wanted to manufacture a product that was sustainable as well as socially beneficial - the radios are hand crafted by Indonesian carpenters and crafts people in areas with high unemployment. And, for each tree used in production, a new one is planted.

You can find these delights as well as other Singgih Kartono designed products at Simon James Concept Store.

Outtakes - Ian Athfield in Nelson

Architect Ian Athfield doesn't do many houses - these days, his time is mostly occupied with larger projects such as stadiums and apartment towers. But that doesn't mean he's lost his touch: here at Mapua, near Nelson, he has created a fascinating home for Halfdan Hansen and Juliette Fox and their two daughters. The house is featured in our current issue, but we wanted to share some of Simon Devitt's shots of it here that we couldn't fit in our article.

Halfdan told Ath, as he's known, that he wanted a long, villa-like corridor. Ath delivered a more dramatic version of it, with a low, dark ceiling and dark floor. It creates a great feeling of compression when you're in it, making the light-filled spaces off it seem even more compelling.

As you travel down the hallway, every new space comes as a complete surprise. You can see this fishpond (above) out a small window from the hallway. The view below is from Juliette's studio across the pond to the main bedroom.

And this is the view of the house from the street (below), a mysterious object that almost demands to be explored. We hope the coverage of the house in our current issue is enough to satisfy the curious. We thank Juliette and Halfdan for their generosity in allowing us to publish the house, and applaud the creativity and inventiveness of their architect.

My Favourite Building: Matthew Arnold

Christchurch graphic designer Matthew Arnold's favourite building is Peter Beaven's masterpiece, the Lyttelton Road Tunnel Administration Building, which dates from 1964. The photograph is by Stephen Goodenough.

Here's what Matthew had to say about his choice:

Matthew: "Peter Beaven designed this building in 1962 as part-monument, part-utility shed. The tunnel links Lyttelton Port to Christchurch city. It was a major engineering feat at the time and an important transport route. On its own the tunnel looks like a hole in a hill, but this architectural masterpiece at one end gives it much more clout. I like to imagine up top there’s a Starship Enterprise-style control bridge with large levers and dials that control things like the weather, petrol prices and Oprah’s weight. If we ever have to pack up modern New Zealand and leave it as we found it, we should just leave this building (and maybe Ian Athfield’s Wellington house) with a note saying, 'You’re under video surveillance', to ensure nobody tries to renovate."

We contacted Matthew to ask him to do this piece because we like Christchurch Modern, the blog he created after moving to Christchurch. It's a homage to that city's great modernist homes, and well worth a browse.

We like: Gisborne's PAULNACHE gallery

Gisborne's PAULNACHE gallery proves that you don't have to live in one of the main centres to enjoy regular visits to top-notch dealer galleries. Matthew Nache (below left) and Gene Paul set up PAULNACHE over five years ago, and now boast a roster of artists that includes Joanna Langford, Ben Pearce, John Walsh, Robert Jahnke, James Ormsby and Dion Hitchens. Many of the artists have connections to the East Coast themselves, so their presence on the walls of this gallery makes even more sense. Check it out if you're passing through the first city of the sun this summer. The photograph is by Paul McCredie.

We like: Dunedin's Modern Miss Vintage Clothing

There are many good reasons to visit Dunedin. One of them is Modern Miss Vintage Clothing, the store run by Violet Faigan (below) at 21 Moray Place. Violet's impeccable eye and excellent connections have resulted in an ever-changing collection of vintage gems that has won her fans from the fashion and art crowds from all over the country. So when you're in Dunedin, be sure to go and browse. The photograph is by Graham Warman. You can also sign up on Modern Miss' Facebook page.

We like: Garth Chester chairs

We are excited to feature these chairs (designed by Garth Chester) in a photo shoot tomorrow, they will appear in the Feb/March issue of HOME New Zealand magazine - our art-focused issue. They are part of the Douglas Lloyd Jenkins collection, to be auctioned at Art+Object auction house on Thursday 24th February 2011. We've borrowed a few other goodies to shoot as well, so look out for it in our first issue next year (which is on sale on February 7)!

See the Art + Object blog here.

Outtakes: A favourite recent house

One of our favourite houses we've recently featured in our pages is a 1954 gem in Hamilton by architect Peter Middleton. It was the city's first architect-designed modernist house, a brave experiment in open-plan living. Heather Lomas, who with her husband Alan, commissioned Middleton to design the house, still lives there, and can therefore attest to the longevity of his design. All these photographs were taken by Paul McCredie. Here, Heather opens the door separating the living room from the kitchen and dining area, a device Middleton created in order to separate children and adults when necessary.

An elegant stone fireplace separates the living area from the library, up a couple of steps.

The image below shows the cedar-lined bedroom with a view out to the garden, which runs down to Lake Rotoroa. The shot below that shows the view of the house from the garden.

And the image below shows Heather herself sitting outside her house. After we sent her a copy of the magazine with her home in it, she sent us a lovely letter. Our favourite quote: "Paul McCredie's ruthless elimination of much of the clutter in the house for the photographs certainly paid off - they are excellent". (We should add that Paul is indeed one of our most skilled declutterers). Heather added that she was sorry that Peter Middleton is no longer alive to enjoy the appreciation of this house. We agree, but we also think it's a testament to his talent that his work has dated so beautifully, as enjoyable now as it was when it was first designed.

We like... Headspace 1

Earlier this year, students studying the Bachelor of Environments at the University of Melbourne took part in a project called Headspace 1 as part of their degree. Each student was asked to take an idea from within their head and literally place it on the outside. Students re-created their ideas with paper, in a form of headwear. The sculptural like results are awesome!

found via http://uponafold.com.au/blog/post/headspace-1/

My Favourite Building: Andrew Drummond

Christchuch sculptor Andrew Drummond's favourite building is a gem by mid-century master Ernst Plischke. The photograph is by Stephen Goodenough.

Andrew: "When I first came to Christchurch I drove past this church and thought, 'Wow, what’s that?' I thought Christchurch was lucky to have a Plischke church. There is some grand and extraordinary church architecture here, but I like St Martin’s, this Presbyterian church which is just around the corner from my home. When you walk in, you know you’re going into a very special space. It’s austere, but it has beautiful proportions and light coming through the coloured glass – a reference, I think, to Le Corbusier’s Ronchamp, which does a similar thing. This church is more formal, but it’s just gorgeous."

The church is at 43 St Martin's Road, Christchurch.

We like: Sunday Painters restaurant

You just can't help but love Sunday Painters restaurant in Auckland's Ponsonby, which featured in our October issue. It opened earlier this year, complete with a whimsical interior that features a mural by James Kirkwood, one of the restaurant's owners. (We should add at this point that the French-style food is very good, too, as is the service).


The name Sunday Painters comes from the occasional dinners James and his co-owners Esther Lamb and Isobel Thom liked to throw for their art-school friends in RSA Halls around Auckland. The old halls didn't allow for decorative schemes as lavish as this.

Among the Cubist artworks on the walls are these plates, made and hand-painted by Isobel, an artist who also runs the Sunday Painters kitchen. We've always been suckers for a bit of Willow pattern, and think Isobel's take on it is fantastic.

The restaurant is at 185 Ponsonby Road - we highly recommend you visit, but book beforehand as it has been very popular. The number is 09 360 2001. These photographs are by Patrick Reynolds.

We like: Home Work (subscribe to HOME and get a free copy)

We like Home Work, a new book that invites readers inside the homes of twenty New Zealand architects - the rules being that the architects must have designed their homes themselves and still be living in them.

It's a fantastically eclectic selection of houses, from 1950s classics to contemporary extravaganzas such as Neville Price's Northland home on the cover. (We've run an excerpt from the book about Tony Watkins' house at Auckland's Karaka Bay in our current issue).

The photographs, we're proud to say, are by HOME New Zealand contributor Patrick Reynolds, with erudite text and informative interviews with the architects by John Walsh, editor of Architecture NZ.

The good news is that if you subscribe now (or renew your subscription) to HOME New Zealand, you'll get a copy of Home Work (worth $75) absolutely free. You can do so by visiting www.magshop.co.nz/home. An ideal Christmas gift, we suggest? You can give somebody a subscription and keep Home Work for yourself...

We like: Federal & Wolfe cafe

One of our favourite new Auckland cafes is Federal & Wolfe, which features in the 'Greenhome' section of our current issue. We like their focus on organic produce and the 'gate to plate' philosophy of the menu of chef Holly Shaw (below left, pictured with Johnny Potiki Hartnett and Jeremy Turner in a photograph by Todd Eyre).

As well as the food, we like Federal & Wolfe's easy-going approach to interiors, which involved ripping out some of the old fittings of the previous occupant (a restaurant named Rice) and replacing them with a very casual mixture of trestles, benches and old chairs. Those in the food biz will also know Jeremy Turner as the co-owner of Parnell's Cibo restaurant, a job he's still doing along with overseeing Federal & Wolfe.

Federal & Wolfe is, as the name suggests, on the corner of Federal & Wolfe Streets (one block back from the lower end of Albert Street in the central city). It is open weekdays from 7am to 3pm, and NOT weekends as our article erroneously states (for which we offer our apologies).

Our Favourite Building: Chris Adams and Bianca Pohio

In every issue of our magazine, we devote the back page to a feature that invites architects (and regular folk) to choose their favourite buildings. Over the coming weeks we'll be posting some of these. First up, architects Chris Adams and Bianca Pohio, who divide their time between Auckland and Sydney. They like the idea of Auckland's old works depot becoming a place for art. The photograph is by Todd Eyre.

Chris: "These buildings were designed in the mid-1960s by George Kenny under Tibor Donner, Auckland’s City Architect. All the heroic core buildings in Auckland – the City Council building, the Ellen Melville Hall and the Parnell Baths – were built in this period. This one reminds us of New York’s DIA Beacon, an old factory that’s now an art gallery."
Bianca: "This is a perfect building to be a gallery. I hadn’t noticed it until I came to Deus ex Machina, the café here. It is beautifully constructed with its steel and in-situ concrete, and amazing natural light. There’s been a sense that New Zealand is a young country so you can just bowl things and build again. These buildings should be preserved to value the wonderful architecture of the era."

You can easily visit the buildings if you wish - as Bianca mentions, Shed Five cafe (also known as Deus ex Machina) is in one of them, at 90 Wellesley Street. At the moment, the area is planned to be developed as the Rhubarb Lane residential quarter. The first stage of the Rhubarb Lane development will be built in the lower part of the depot, so the sheds behind Chris and Bianca will be demolished to make way for a park space for the area. Shed Five, however, will remain in place, although its long-term future is less certain.

Our new cover

The cover of our December/January 2011 issue, which will be on newsstands on November 22, features of a photograph by Patrick Reynolds of a house by Julian Guthrie at Omaha, north of Auckland. This is our annual issue featuring coastal homes, so we wanted a cover that shouted 'summer!'. Hopefully this does the trick. Thanks to Julian for letting us know about this excellent house, for the Couillault family for being so helpful with our shoot, and of course to Patrick for the great shot.

Incoming: at Douglas + Bec

We are looking forward to the arrival of these new chairs to the Douglas + Bec store. The WSC stacking chair was launched at Milan this year by Well-Groomed-Fox. Also pleased to report the new matte white + matte black versions of the much loved angle lamp 2.0 by Workroom design are in store now.

We like: Matthias Heiderich photography

A new find and favourite is the work of German photographer Matthias Heiderich... great combination of simplicity and colour.

found via swiss miss

more of Matthias Heiderich's portfolio can be found at the Behance Network

We like: Brian Brake's book

One of our favourite Christmas gift ideas this year is a new book from Te Papa Press featuring the work of the late photographer Brian Brake.

Brake explored the world as a star contributor to LIFE, National Geographic, Paris Match and other publications in the golden age of photo magazines from the 1950 (his 'Monsoon' series, an image from which is featured below, became perhaps his best-known works); later, his images showed New Zealanders a dazzling, cinematic version of their country. His world-wide success (including his acceptance into the renowned Magnum agency) made him a household name at home, and to some extent, a tall poppy. The book has an accompanying exhibition is at Te Papa that runs until May 8, 2011.

Our only (very minor) quibble with the book is that it doesn't show images of Brake's very well-known house in the bush in west Auckland, designed by architect Ron Sang. We were lucky enough to have our Home of the Decade award announcement at the house in 2005. It's a magical box that appears to float over the surrounding greenery while the city glimmers in the distance. Its owners at the time had great respect for the home's pedigree, and had kept it in impeccable condition (they have since sold the house to new owners).

These photographs of the house were taken by Becky Nunes. The view here is from the home's tatami room, looking over the magnolia branches to the main deck and living area. It's a significant New Zealand house and was a homecoming of sorts for Brake, as it was the place he settled back in New Zealand after many years abroad.

Zero Waste Holidays: this time for sure ;)

No, no. I am not crazy: I do not support holiday decorations being displayed at my local hardware store since September...

Nonetheless, the holidays are around the corner and my hardware store did remind me that last December, I vouched to be pro-active for this year's gift exchange. And that included letting those who will be exchanging with us know that we prefer experiences vs. more stuff. It seems early, but letting them know before they even had a chance to gather/buy objects for us, is key and all part of the “master plan” ;).

Here are some ideas, worth considering this holiday season:

GIFTS

-Offering "Experiences" in the form of a gift certificate or actual ticket, such as:

Classes at the local community college to develop a new interest

Movie ticket

Theme park season pass

Museum pass

Bowling night

Hotel night

Meal at a new restaurant

Treat to an ice cream parlor

My favorite for our kids: A year long subscription to a monthly surprise family activity (activities that I have in mind for the year, depending on our finances, include: kayaking, overnight at hotel with pool, ice skating, hiking to an overnight refuge, trampoline or indoor climbing center, science museum, gold panning in the mountains, crabbing, fishing, overnight on a houseboat, backpacking and overnight in the wilderness, fruit picking, sledding, overnight in a fire lookout, etc...) UPDATE: We call them SFA and inform you of our SFA of the month thru Twitter.

-Offering Services (your time) in the form of coupons, such as:

Professional expertise (I can offer simplifying and decluttering services for example)

Hand labor (planting a tree, painting a room for a new baby, fixing a deck, lawn mowing)

Babysitting

Services are great for kids to give (one sibling could take another sibling's chore for a period of time)

-Offering consumables in a reusable jar (to simplify, pick one project and make a large quantity):

Homemade cookies, cake mix, herbal tea, jam, pickles, sugar/salt scrub, balm, lemoncello, toothpowder (with recipe attached)

Or a bulk item (cornichons, olives, maple syrup, toffee pecans, chocolate malt balls).

Homemade candles, soap, and paper are also great “out of the jar” alternatives.

-Shopping your home: Regifting (and there is nothing wrong with that!) or giving something you already own when you know for a fact that the recipient will appreciate it. I have a dedicated drawer for that purpose, it gets filled and used all year long.

-Buying used at a thrift store or on Ebay. For the latter, make sure that the item is used by checking the “pre-owned” option in your Ebay search.

-Using the smallest gifts and bulk treats to fill stockings instead of stuffers.

-Selecting gifts that tighten family bonds (family “experiences” or used board games for example).

-Greening Santa: Santa brings only one gift per family member. It comes unwrapped because Santa cares about the environment and his gift is easily spotted among the other (family) wrapped presents. The benefits of the “one special present” go beyond the obvious...equality among children of different financial background, modesty, smaller wish lists, less stress on Santa!

-Avoiding the mall until January: Not only better for your carbon footprint (driving, new stuff purchased), but also your sanity, stress level, creativity and wallet. Challenge yourself to do without!

GIFT WRAPPING:

-Purchasing or making reusable gift bags from fabric scraps (or redesigned lone socks and pillowcases) sends out a green message to your recipient. The attached tie also eliminates the need for a loose ribbon.

-Purchasing or making Furoshiki squares (28x28) and learning some easy-to-follow tricks on how to artfully wrap in fabric. The elaborate knots and tucks also eliminates the need for a loose ribbon

-Using a gift to wrap another. A t-shirt, a sweater, a kitchen towel can wrapped just about anything and serve a double duty (a gift and wrapper in one).

-Reusing what you already have, if lacking the previous wrapping alternatives: Papers from your recycling bin (your kids can quickly paint some designs on them), children's artwork, a washed meat wrapper, newspaper or paper bag if you are still allowing these into your home ;).

-Using leaves as gift tags or anything in your recycling bin that can be cut into a small rectangle.

DECORATION:

-Reusing a potted plant that you already have or purchasing one that can become your yearly alternative to the Christmas tree. I use a tall topiary. The first year, it seemed odd (an adjustment), now we can't imagine going back to regular trees.

-Vouching to not buy yet another ornament. We rediscover our holiday decorations every year when we unpack our dedicated crate, and we always have enough!

-Making consumable decorations such as a homemade gingerbread house (with treats available in bulk) or a string of popcorn as garland (feeding it to the birds after the holidays, thanks to Dori and Val for the suggestion) for as long as the kids enjoy participating in the making.

-Using seasonal whole fruit, whole vegetables, yard clippings or leaves to adorn the table.

CARDS:

-Emailing your holiday wishes. Last year, I made plantable cards (it took me a week of work and lots of stamps), this year I will email our wishes. It's the thought and the content of the message that counts.

-Sending the cards that you do receive for reuse (as mentioned last year) to St. Jude's Ranch Card Recycling, 100 St. Jude Street, Boulder City, NV 89005. It supports a good cause too!

-Choosing recycled and recyclable materials, if you do choose to send out a card. Keep in mind that photo paper is not recyclable.

TRADITIONS:

-Supporting your Zero Waste efforts with meaningful traditions vs. the wasteful, stressful and complicated activities of the season (Zero Waste not being just about stuff management).

-Being kind to yourself by simplifying your traditions: Consider less cooking, using your everyday china and glasses if your fancy set requires hand-washing, eating out, going for a hike if weather allows.

-Being kind to others by:

1 - Being kind to yourself,

2 - Freeing a parking spot by avoiding the mall ;)

3 - Applying “Acts of Kindness” to your holiday season: participate in a homeless soup kitchen, sing carols in your neighborhood, write a Thank You card to someone whose services you appreciate (your friendly baker for ex.?)...

To hear more about Zero Waste Holidays thru a thick french accent (I hope Santa will think of getting me an accent reduction class), you can check out my recent podcast on More Hip than Hippie.

I dream of having more than an "almost Zero Waste" Christmas. With simplifying and adequate preparation, I truly believe that my dream can come true. Last year, I dreaded the season, this year I feel ready and excited to face it! Bring it on!

Any more ideas to reduce waste during this coming holiday season?

Come and work with us!

The lovely Caroline Daniel, our direct advertising sales manager, is (unfortunately) leaving us, so we're looking for a replacement. The direct sales manager is in charge of selling advertising space to advertisers such as furniture retailers and other building and design industry people who don't use an advertising agency to make their bookings.

If this is something you might be interested in, please check out the link below. We're nice to work with, we really are!

Here's the link:

http://www.seek.co.nz/Job/sales-opportunity-advertising/in/auckland-auckland-central/18473669

What about Halloween?

I received a few emails and comments asking how we plan to celebrate Halloween. Frankly, I really have a hard time with Halloween. I like the activities, but in a perfect world, the celebration would be a non-commercial, waste-free, treasure-sharing (see “treasures” below), costume festival, that I would fully support. Until then...

Our kids are still at an age where they want to share the fun with their friends and join them in trick-or-treating. And yet, I want to keep the tradition as sustainable as possible. But how? When in doubt, I apply the obvious rule: Refuse, Reduce, Reuse, Recycle, Rot. After discussing an approach with the kids, here is the plan that we came up with:

REFUSE:

-Plastic toys or favors when trick-or-treating, the kids will pick recyclable or compostable items instead.

REDUCE:

-Instead of doing a whole neighborhood, we plan to trick-or-treat one street. It helps being invited to a party before or after to reduce time spent going door to door.

REUSE:

-Costumes: Coming up with a homemade outfit is our first choice but it is also a challenge in a minimalist home (probably the only downside of living with less). When we strike-out of ideas, we go to the thrift store, and on the spot choose or make up a costume. I expect thrift shops to be most busy this time of year!

By the way, I am not crazy about dressing up for Halloween: I have enough fun reinventing my wardrobe everyday of the year ;)

-As you would expect, we keep our decorating minimal (What can I say: I did not grow up with this tradition), with just a few tiny pumpkins that I make into a soup the next day and serve sprinkled with its roasted seeds.

-We plan to participate in the Halloween Candy Buy Back for the non-recyclable treats, this year for the first time. This is the most motivating program I have found for my 2 boys to give away their candy;)

RECYCLE:

- When possible, the kids will choose treats in cardboard: Dots, Milk Duds, Nerds or Raisins (but I doubt that we'll run in many of those).

COMPOST:

-To state the obvious, the rinds of our pumpkins used for making soup will get composted.

-I made a watermelon brain for a potluck buffet tonight. Hopefully, it will get completely eaten. If not, and if it gets too picked on, I'll take the leftovers home to compost.

In case you were wondering, our front door is 36 steps from the street, so by nature we do not get trick-or-treaters (sometimes, life just simplifies itself;). If we did, this website gives some good alternatives to candy. Here is the revised list with my waste-free favorites, in alphabetical order:

Food items ("treats"): Boxes of organic raisins, Fruit (like mandarins), Licorice Root Stick (I loved to chew on these as a kid).

Non-food items ("treasures") are also a great alternative to treats: Bracelets made with a natural fiber or yarn, Coins (US or non-US: I know my kids would get exited about getting a penny), Feathers, Lavender sachet, Polished rocks or skipping stones, Printed items (jokes, word games, word search or cross word puzzles), Seashells, Seed packets or plantable paper, Soap (unpackaged of course), Stamps from foreign countries.

How do you celebrate Halloween with your kids?

Is the Zero Waste Home only about waste reduction?

I received a long angry comment this week.

The commenter implied that our household was single minded... “Your lifestyle seems to be very austere” he or she wrote . “I'm wondering if you have a viewpoint on what we are all supposed to be doing here on planet earth? In addition to counting the band-aids in our trash cans, I mean”. Do you think your children find that it's a good trade off... you know for them to become social pariahs in exchange for you indulging your obsession.”

Boy! How did this commenter even get to this blog? Why did "anonymous" even spend time reading it if he or she did not understand the subject of it? How can he or she insult our kids so freely, not knowing them or their social life.

I replied that not every blog is for everyone...

And yet, what sticks in my mind about this comment is: Who does this person really think we are? Does this person really think that we ONLY care about waste?

In other words: Is the Zero Waste Home only about waste reduction? As I mentioned before, if it was not for this blog, I would not even think about waste on a daily basis. No seriously, beside the frustrating unavoidable trash bits, zero waste has become a no-brainer and a natural, unconscious part of our life, it has become automatic. We take our bags / jars and try to make good buying decisions when we shop once a week, refuse the occasional freebies, send an occasional email of complaint, and ask our friends and family to respect our lifestyle when they come. That's it. That's as much time as our family would think about zero waste... had I not started writing (and thus elaborating) about it.

I personally love art, fashion, foraging, homemaking, organizing, volunteering, simplifying,... I could have written a blog on any of these. And yet I chose zero waste. Why? Because in my mind it sums it all up. It has made my art more focused, my foraged miner's lettuce tastier, my thrifting more acceptable, my minimalism more understandable, my homemaking and volunteering more purposeful. For once in my life, it seems that all my interests and talents are connected. Plus, wouldn't it be selfish not to share my trials (Lush deodorant), failures (vinegar hair rinse), successes (baking soda toothpowder) and finds (local bulk stores) with others?

Let's face it. Zero waste is not just about waste: it's about enjoying simple pleasures, eating local and seasonal foods, living a healthier lifestyle, enjoying the outdoors more, getting closer to the Earth, finding fulfillment in volunteering activities, and simplifying your life to make room for things that matter most to you. If it was not for the latter, I would have never found the time to write this blog.

The commenter went on to criticize my refusing laminated school work last June. “Did you know that a lot of parents don't judge their children's artwork on whether it will biodegrade easily?”, he or she asked. “Actually a lot of parents would treasure their childrens' artwork and want it to last forever. But you rejected your childrens' artwork because it had become the wrong kind of trash.”, the commenter wrote.

Is this comment supposed to make me feel some kind of guilt for the laminated work that I refused? I am sorry to disappoint the commenter even further, but I don't. Through my simplifying business I witness numerous homes filled with “heirloom guilt" and I could not agree more with this quote from a New York Times article: "Barry Lubetkin, a psychologist and the Director of the Institute for Behavior Therapy in Manhattan, who has observed this [heirloom guilt] in a number of patients [...]. It’s an unhealthy setup, in which people become "slaves to inanimate objects,” he says. “Once you’re defining it as something you can’t get rid of, you’re not in control of your life or your home.”"

Let's say I had succumbed to the heirloom guilt: Was I supposed to bring the laminated piece home (no matter its quality) and add it to a bin full of other laminated school stuff, which would then be passed on, along with the same guilt, to my kids children and grand children? Our life is not about stuff and we're teaching our kids that life is not about stuff. So why should I allow teachers to fill my house with stuff? Shouldn't parents and children have the right to choose what to keep? After all we receive a ton of artwork from school all year long, so why should the one that is laminated be kept? What if your child, was sick and not in the mood or simply botched that particular project? Yet it would get laminated for a whole family branch to keep forever? Does not make sense to me at all.

Let's say my great grand kids felt liberated enough to discard it later: Do I want my kids laminated art to contribute to the great pacific garbage patch? Of course not.

I really don't think I am being “very austere” here and I don't think it was wrong to reject lamination. Quite the contrary, I think it would be more wrong NOT to reject it and allow this wasteful school practice to get out of control.

Accepting is condoning - just like shopping is voting. I cannot ignore (the easy way in life) the negative environmental impact of lamination, not to mention its expense. I would rather our public school money be better spent. If I don't do anything about it, who will? Obviously not the commenter. So, I say it once again: “Be the change you want the world to be” - Gandhi.

The commenter also implied that my son was deprived because he loved band-aids and we ran out... hmmm.

Can one really be deprived of Spongebob band-aids? The Merriam Webster defines “deprived” as “marked by deprivation especially of the necessities of life or of healthful environmental influences”

Are Spongebob band-aids “a necessity of life or a healthful environmental influence”? Maybe to the commenter, but our son does not seem to think so. He has not asked for them since we ran out. Luckily, his livelihood does not rest on band-aids, but rather on more important activities (like playing football with his dad).

And if one dares to say that my children are deprived because we don't have band-aids, can you say that my children are deprived because they also do not have video games (they play outside, build Lego's, or learn to bake or paint instead)?

Can you say that my children are deprived because we don't buy junk food (they eat healthy bulk or homemade meals instead)?

Can you say that my children are deprived because we don't drive them to school in a warm/or air conditioned car (they get exercise and fresh air by riding their bikes instead)?

Can you say my children are deprived because we don't give them vitamins (we believe in a healthy diet and outdoor activity instead)?

Can you say that my children are deprived because apart from a few french comic books they don't have books (the local library has made thousands of books available to them and turned them into avid readers instead)?

Can you say that my children are deprived because they don't have TV (they prefer to watch a commercial free Netflix movie instead)?

Can you say that my children are deprived because we do not keep ALL their artwork (together, we select and store our favorites)? By the way, our staircase is filled with them. See picture above.

Can you say my children are deprived because we don't have trash cans in the house? Seriously.

I guess the answer to the questions above depend on the personal health and life standards you have set for your family.

We are not perfect and we are not 100% waste free. But we love what the zero waste lifestyle has done for our family beyond waste reduction. We hope that many more families will get to discover it for themselves. This is what this blog is really about. Sharing an on-going life changing experience. But my words will only make sense to you if you're ready and willing to accept change. The commenter obviously is not. Are you?

Or if you started already, what has Zero Waste done for you beyond waste reduction?

Getting heavy

There is an honourable tradition in New Zealand home design that strives for lightness, of timber homes resting lightly on the land. I remember my French teacher at high school saying that when she returned to New Zealand after many years in France, the homes in New Zealand looked as if they could all blow away in the next breeze.

One of the finalists in this year's Home of the Year award makes a case for the European sort of solidity my teacher was referring to. The house is by Stevens Lawson Architects (who won the award with their house by Lake Wanaka, which you can see in an earlier post), built for clients who requested concrete for its heft and its low-maintenance qualities. These photographs by Mark Smith show just how solid this home turned out to be. It is located on a harbourside site in Auckland's eastern suburbs. The elevation below faces the water, with the main bedroom on the upper right, the kitchen and dining space below it, and a covered sitting area extending off the living room on the left-hand-side of this image:

The house is just as sculptural at the entrance, at the bottom of a very steep driveway. This shot gives you a good view of the central 'canyon', a glass-topped, double-height hallway that drags light into the centre of the home. (The house is located beside a slope to the north that blocks sunlight for a few hours in the winter, hence the design of the glass-topped volume to admit more light).

The home was designed using pre-cast concrete panels that feature ribbed details best viewed in this shot of the southern elevation:

The monumental exterior means some of the interiors are just as dramatic. This view shows the inside of the 'canyon' with its glass-topped roof. The timber feature is a 'bridge' across this double-height space.

This shot looks from the dining area across to a living room which in turn opens onto the covered exterior sitting area you can see in the first shot of this post. Inside, the material palette has been kept to a simple combination of timber and concrete with slate floors.

Some of the rooms feature surprising and dramatic devices for admitting light, such as the space in the shot below, which can be used as a home theatre or a snug, cave-like hideaway (there is also a slow window looking out to the water just out of the right-hand-side of the frame). The home may seem intimidatingly hefty from the outside, but as you can see, the interior offers a wide range of views and experiences.

So there you have it - an unashamedly heavyweight house. Sure, it runs contrary to the New Zealand timber tradition, but its engagement with the uniquely New Zealand landscape around it means it doesn't feel as if this is anything other than a New Zealand house.